Preface
Prologue
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Medieval Music for Movement
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Castles and Countryside
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Hildegard's Processionals
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The Play of Daniel
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Written Estampies
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Le Jeu de Robin et Marion
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Renaissance Celebrations
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Music for Court and Rural Dancing
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Le Ballet Comique de la Reine
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Baroque Opera-Ballets
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Lully and the Sun King
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Rameau's Indians
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Suite Yourself
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Dance-Inspired Music for Listeners
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Variations for English Virginals
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Renaissance and Baroque Ballroom Dances
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Bach's Suites
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Handel, Foreign Favorite of Royals
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Orpheus through the Centuries
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The Myth—Ancient
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Monteverdi—Baroque
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Gluck—Classical
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A Satirical Side Trip
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Stravinsky—Modern
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Peasants, Aristocrats, and Statues
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La Fille mal gardée
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Mozart's Little Nothings
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Noverre's Vision
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Beethoven's Prometheus
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Waltzing in Time
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Mountainsides to Wine Gardens
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Beer Gardens to Ballrooms
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Ballrooms to Ballet Stages
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Waltz Types
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Music for Women in White
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La Sylphide
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Les Sylphides
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Giselle
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Swan Lake
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The Dying Swan
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Exotic Imports
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Le Corsaire
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La Bayadère
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Polovtsian Dances
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Schéhérazade
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Excelsior
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Delibes
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The Composer
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Coppélia
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Sylvia
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The Paris Opera Ballet
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Sleeping Beauty
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Tchaikovsky's Masterpiece
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Petipa and His Composers
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Diaghilev's Sleeping Princess
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Nureyev and Classical Tradition
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Stravinsky's Russian Stories
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Firebird
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Petrouchka
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Le Sacre du Printemps
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Les Noces
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Diaghilev's Modish Moderns
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The Impresario
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Early Collaborators
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Nijinsky and Debussy
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Fokine and Ravel
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A Spectrum of Other Dances
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Evocations of Spain
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Boléro
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Don Quixote
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Three-Cornered Hat
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A Spanish Composer in America
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Apollo to Agon
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The Young God Grows Up
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Balanchine's Procedures
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Jeu de Cartes
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Agon
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The Stravinsky Festivals
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Romeos and Juliets
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Shakespeare's Play
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Gounod's Opera
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Tchaikovsky's Overture
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Lambert's Ballet
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Prokofiev's Ballet
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Bernstein's Broadway Show
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Romeo Rocks
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For the Very Young
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The Toy Box
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Circus Elephants and Children
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Fanfare
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Tales of Beatrix Potter
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Whipped Cream
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Nutcrackers Everywhere
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Dancin' Music for Children
After-words!
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Relating Past and Present
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Challenges for Contemporary Conductors
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Instrumentalists in the Pits
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The International Guild of Musicians in Dance
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Women Collaborators in Modern Times
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Exploring Professional Opportunities
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Drawing from Widening Traditions
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World Ballet Day
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Ballet in Time of War
Chronology
Annotated Bibliography
Acknowledgements
About the Author